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Two centuries of Russian classics

Philological journal
A.M. Gorky Institute of World Literature of the
 Russian Academy of Sciences

Povarskaya St., 25A, bld. 1,
121069 Moscow, Russia

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  • Funding Sources:

    This work was carried out at IWL RAS with financial support from the Russian Science Foundation, project no. 23-28-00450 “Wholeness / Fragmentation: L. Tolstoy’s Aesthetics in Philosophical Criticism and Theory of Literature in the First Third of the 20th Century” (https://rscf.ru/ project/23-28-00450/).

  • For citation:

    Smirnova, N. N. “Love and Literary Form: L. N. Tolstoy’s Ideas Recepted by M. O. Gershenzon.” Dva veka russkoi klassiki, vol. 6, no. 4, 2024, pp. 126–137. (In Russ.) https://doi.org/10.22455/2686-7494-2024-6-4-126-137

  • Keywords: M. O. Gershenzon, L. N. Tolstoy, philosophy of love, literary form, fragmentariness, aphorism, diary, essay.
  • Author: Natalia N. Smirnova
  • Information about the author:

    Natalia N. Smirnova, DSc in Philology, Senior Researcher, A. M. Gorky Institute of World Literature of the Russian Academy of Sciences, Povarskaya St., 25A, bld. 1, 121069 Moscow, Russia.

    ORCID ID: https://orcid.org/0000-0001-6980-7353

    E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

  • Received: May 12, 2024
  • Approved after reviewing: July 04, 2024
  • Published: December 25, 2024
  • Issue: 2024 Volume 6 No. 4
  • Department: Russian Literature of the 18th–19th Centuries
  • Pages: 126–137
  • DOI: Visit Website
  • EDN:

    https://elibrary.ru/HKMBJK

  • UDK: 821.161.1.09"19"
  • Publication Type: Research Article

Abstract: The paper examines the influence of L. N. Tolstoy’s thought on the literary and philosophical ideas of M. O. Gershenzon. The development of M. O. Gershenzon’s philosophical search relies on the philosophy of love of L. N. Tolstoy. The research traces the evolution of this search from the 1900s until the 1920s (the period of work on “The Triple Image of Perfection” and the book “Gulfstream”). The article highlights the influence of Tolstoy’s search for a new mode of narration (“without any form”) on literary criticism and humanitarian thought in the first quarter of the 20th century. The author concludes that the evolution of Tolstoy’s thought on the narrative technique influenced many areas of the intellectual culture of the 20th century. Tolstoy’s ideas significantly influenced M. O. Gershenzon, from early responses to the philosophy of love to reflection on the essence of literary form and “cohesion” as the base of the slow reading theory.

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