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<article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" article-type="research-article" dtd-version="1.2" xml:lang="en">
  <front>
    <journal-meta>
      <journal-id journal-id-type="publisher-id" xml:lang="en">Two centuries of the Russian classics</journal-id>
      <journal-title-group>
        <journal-title>Two centuries of the Russian classics</journal-title>
      </journal-title-group>
      <issn publication-format="electronic">2686-7494</issn>
      <publisher>
        <publisher-name xml:lang="en">IWL RAS</publisher-name>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="doi">https://doi.org/10.22455/2686-7494-2026-8-1-368-377</article-id>
      <article-categories>
        <subj-group subj-group-type="article-type" xml:lang="en">
          <subject>Research Article</subject>
        </subj-group>
        <subj-group subj-group-type="heading" xml:lang="en">
          <subject>Articles</subject>
        </subj-group>
      </article-categories>
      <title-group>
        <article-title>A. P. Chekhov’s Plays in Guzel Yakhina’s Novel “Eisen”: On the Importance of What’s in Parentheses</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <name name-style="western" xml:lang="en">
            <surname>Domanski</surname>
            <given-names>Yuri V.</given-names>
          </name>
          <email>red@rusklassika.ru</email>
        </contrib>
      </contrib-group>
      <pub-date pub-type="collection">
        <pub-date pub-type="pub" iso-8601-date="2026-03-25" publication-format="electronic">
          <day>25</day>
          <month>03</month>
          <year>2026</year>
        </pub-date>
      </pub-date>
      <volume>8</volume>
      <issue>1</issue>
      <fpage>368</fpage>
      <lpage>377</lpage>
      <kwd-group xml:lang="en">
        <kwd>drama</kwd>
        <kwd>contemporary novel</kwd>
        <kwd>A. P. Chekhov</kwd>
        <kwd>“Three Sisters</kwd>
        <kwd>” “The Cherry Orchard</kwd>
        <kwd>” Guzel Yakhina</kwd>
        <kwd>“Eisen</kwd>
        <kwd>” title</kwd>
      </kwd-group>
      <permissions>
        <copyright-statement>Copyright © 2026, IWL RAS</copyright-statement>
        <copyright-year>2026</copyright-year>
      </permissions>
      <abstract>This article examines two parenthetical constructions in Guzel Yakhina’s novel “Eisen.” Both constructions allude to Chekhov’s plays: the first to “The Cherry Orchard,” and the second to “Three Sisters.” It examines how classic Chekhovian titles, detached from the texts they initially reference, become short, independent texts with their own meanings in subsequent culture, often far removed from the original meanings of Chekhov’s plays. While Yakhina’s reference to “Three Sisters” is limited to the meanings of the title formula, without incorporating the meanings of the play itself, Yakhina’s use of “The Cherry Orchard” also brings to life the crucial situation of Chekhov’s comedy — the felling of the orchard. This event, presented as a final remark, is not embedded in the title formula as a standalone, separate text, so in this case, we can speak of a semantic reference not only to the formula “The Cherry Orchard” but also to the comedy itself. Meanwhile, both parenthetical constructions interact, forming a system whose meanings enrich the recipient text — Yakhina’s novel “Eisen.” The characters’ perspectives demonstrate the author’s assessment of existence, where art and life are understood through each other.</abstract>
    </article-meta>
  </front>
  <back>
    <ref-list>
      <ref id="B1">
        <label>1.</label>
        <mixed-citation>Domanskii, Iu. V. “K voprosu o chekhovskikh zaglaviiakh v sovremennom mire: al’bom ʽOdinokomu vezde pustynia’ rok-gruppy ʽZveri’.” [“On the Issue of Chekhov’s Titles in the Modern World: The Album ʽFor the Lonely, Everywhere is a Desert’ by the Rock Band ʽZveri’.”] Territoriia slovesnosti: sbornik v chest’ 70-letiia professor I. N. Sukhikh [Territory of Literature: A Collection in Honor of the 70th Anniversary of Professor I. N. Sukhikh]. St. Petersburg, Nestor-Istoriia Publ., 2022, pp. 229–240. (In Russ.)</mixed-citation>
      </ref>
      <ref id="B2">
        <label>2.</label>
        <mixed-citation>Kataev, V. B. “Chekhov prodolzhaetsia” [“Chekhov Continues”]. Vestnik Moskovskogo universiteta. Seriia 9. Filologiia, no. 6, 2024, pp. 28–36. (In Russ.)</mixed-citation>
      </ref>
      <ref id="B3">
        <label>3.</label>
        <mixed-citation>Kataev, V. B. “Chekhov sovremennyy” [“Modern Chekhov”]. Vestnik Moskovskogo universiteta. Seriia 9. Filologiia, no. 5, 2015, pp. 76–85. (In Russ.)</mixed-citation>
      </ref>
    </ref-list>
  </back>
</article>
