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<article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" article-type="research-article" dtd-version="1.2" xml:lang="en">
  <front>
    <journal-meta>
      <journal-id journal-id-type="publisher-id" xml:lang="en">Two centuries of the Russian classics</journal-id>
      <journal-title-group>
        <journal-title>Two centuries of the Russian classics</journal-title>
      </journal-title-group>
      <issn publication-format="electronic">2686-7494</issn>
      <publisher>
        <publisher-name xml:lang="en">IWL RAS</publisher-name>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="doi">https://doi.org/10.22455/2686-7494-2026-8-1-54-77</article-id>
      <article-categories>
        <subj-group subj-group-type="article-type" xml:lang="en">
          <subject>Research Article</subject>
        </subj-group>
        <subj-group subj-group-type="heading" xml:lang="en">
          <subject>Articles</subject>
        </subj-group>
      </article-categories>
      <title-group>
        <article-title>A. P. Chechov: A Chronicler of Everyday Life or the Author of Fantasy Stories? Chekhov’s Contemporaries Debates the Specifics of His Poetics and Some Prospects for Chekhov Studies</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <name name-style="western" xml:lang="en">
            <surname>Bushkanets</surname>
            <given-names>Liya E.</given-names>
          </name>
          <email>red@rusklassika.ru</email>
        </contrib>
      </contrib-group>
      <pub-date pub-type="collection">
        <pub-date pub-type="pub" iso-8601-date="2026-03-25" publication-format="electronic">
          <day>25</day>
          <month>03</month>
          <year>2026</year>
        </pub-date>
      </pub-date>
      <volume>8</volume>
      <issue>1</issue>
      <fpage>54</fpage>
      <lpage>77</lpage>
      <kwd-group xml:lang="en">
        <kwd>A. P. Chekhov</kwd>
        <kwd>realism</kwd>
        <kwd>poetics</kwd>
        <kwd>suggestiveness</kwd>
        <kwd>literary criticism</kwd>
        <kwd>reader’s reception</kwd>
        <kwd>Chekhov studies</kwd>
      </kwd-group>
      <permissions>
        <copyright-statement>Copyright © 2026, IWL RAS</copyright-statement>
        <copyright-year>2026</copyright-year>
      </permissions>
      <abstract>This article analyzes critical and reader debates about A. P. Chekhov from the 1880s to 1900s. As A. P. Chudakov noted, contemporaries reacted sharply to the innovative features of the writer’s poetics. The debate over the authenticity of Chekhov’s depictions of Russia was particularly intense and divisive. Some saw the writer as a “reflector” and “historian” of Russian life, while others perceived his works as “caricatures.” The most insightful readers, however, drew attention to the distinctive features of Chekhov’s poetics, the specifics of his creative method, and his “work” with reality. Some aspects of Chekhov’s poetics (the concentration of certain types of details bordering on caricature, the introduction of implausible and unrealistic details to create a tense atmosphere, and the use of suggestive techniques) have been little studied, and literary scholars often continue to interpret Chekhov’s realism as a “depiction of everyday life.” The reaction of Chekhov’s contemporary readers may become an incentive for further research into how the works of this writer are “made,” to use B. M. Eikhenbaum’s term.</abstract>
    </article-meta>
  </front>
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  </back>
</article>
