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<article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" article-type="research-article" dtd-version="1.2" xml:lang="en">
  <front>
    <journal-meta>
      <journal-id journal-id-type="publisher-id" xml:lang="en">Two centuries of the Russian classics</journal-id>
      <journal-title-group>
        <journal-title>Two centuries of the Russian classics</journal-title>
      </journal-title-group>
      <issn publication-format="electronic">2686-7494</issn>
      <publisher>
        <publisher-name xml:lang="en">IWL RAS</publisher-name>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="doi">https://doi.org/10.22455/2686-7494-2025-7-4-326-351</article-id>
      <article-categories>
        <subj-group subj-group-type="article-type" xml:lang="en">
          <subject>Research Article</subject>
        </subj-group>
        <subj-group subj-group-type="heading" xml:lang="en">
          <subject>Articles</subject>
        </subj-group>
      </article-categories>
      <title-group>
        <article-title>“The Bronze Horseman” in Anglo-American Pushkin Studies of the 20th Century: Symbolism of Space and Plot</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <name name-style="western" xml:lang="en">
            <surname>Korolev</surname>
            <given-names>Svetlana B.</given-names>
          </name>
          <email>red@rusklassika.ru</email>
        </contrib>
      </contrib-group>
      <pub-date pub-type="collection">
        <pub-date pub-type="pub" iso-8601-date="2025-12-25" publication-format="electronic">
          <day>25</day>
          <month>12</month>
          <year>2025</year>
        </pub-date>
      </pub-date>
      <volume>7</volume>
      <issue>4</issue>
      <fpage>326</fpage>
      <lpage>351</lpage>
      <kwd-group xml:lang="en">
        <kwd>A. S. Pushkin</kwd>
        <kwd>“The Bronze Horseman</kwd>
        <kwd>” Anglo-American Pushkin studies</kwd>
        <kwd>M. Baring</kwd>
        <kwd>D. S. Mirsky</kwd>
        <kwd>E. Wilson</kwd>
        <kwd>V. Lednicky</kwd>
        <kwd>J. Bailey</kwd>
        <kwd>E. Briggs</kwd>
        <kwd>ethnocultural interpretation</kwd>
        <kwd>imagological myth</kwd>
      </kwd-group>
      <permissions>
        <copyright-statement>Copyright © 2026, IWL RAS</copyright-statement>
        <copyright-year>2026</copyright-year>
      </permissions>
      <abstract>This article explores approaches to understanding A.S. Pushkin’s poem “The Bronze Horseman” in 20th-century Anglo-American Pushkin studies. The examined texts allowed us to identify four periods of scholarly engagement with Pushkin’s work in Anglo-American Slavic studies and to link them to their socio-political and cultural-historical contexts. The first period (1910s–1930s) is characterized by a significant emphasis on the poem’s descriptions of St. Petersburg, bolstered by the thesis of glorifying a highly Europeanized noble culture. The second period (1950s–1960s) is marked by a predominantly socio- historical approach to interpreting the poem. The studies of the third period (1970s–1980s), although complex in their methodology, recreated established imagological parallels. The fourth period (since the 1990s) is characterized by a tendency to perceive the poem in terms of literal mythologism.</abstract>
    </article-meta>
  </front>
  <back>
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  </back>
</article>
